Tuesday, June 3, 2025

For Alice Notley (an addendum to a previous post about her sudden removal from the linear)

 

 

For Alice

   well maybe it only means
you don't have to pretend
or perform any longer
only flow with delight entropic
& you will be obvious
once and for all undeniable
self-similar to us anonymously
united in the overwhelming absence
ahead of all matter
& found in many places perfectly
unexpected both normal weirdo
fitting to all sandy particles
a strand of beach a string
of opals or yet nothing like that
faceted multi or not at all
fixed like that but unable to not emerge
also shadow of face feathers within face
glowing fox snake owl ointment
hydro carbon metallic catalyst
desperate unembraceable you un-you
of the sudden disincarnates ablossom
well discordant and wry
just portent tangentially sensitive
to all the things not there you echo
tuned into absence radio
resonant with the decibel void
as our general non-existence deepens
thickens and densifies
& merges again into will be
thrown celestium velocity
what scatters out eons
coming out pronouns
you me us inclusive
exclusive, elusive,
at home in the incomplete

Suchness & the Field of What Recording is About for Me or Back in the Garden Again

 

 
 
As Joni spread the fairy dust stardust golden canticle
and opened us to the seemingly impossible task
of getting ourselves back to the garden (not just the Rave
of Woodstock but to the X not marked on any map
--- I am reminded here of formulae from the alchemical 90's
which came to me in Sun Ra's voice one day:
the treasure map where X marks the spot is Map of Mystery
where X marks the spot of destination, el dorado, delusional ends
whereas the Mystical Map is where X marks the moment
this locus of process and reality evolving its flower
 
Eden is among us. It is found within the foundation of pure love. The keystone is within every seeker to join the formation of the temple. Eden is pure vibrational awareness, a modality of consciousness and sensation. Music is only a portal or a bridge to the feeling. Field recording is a ritual return to primordial perception while the alleged rational scientific purpose is ethnographic, ecologically rooted, leaving us with data to study and learn more about our environment. This learning is without end. The experience of the vibration also is without end and the spiritual aspect often lost in the gear is that circuit of vibrational constant sensing itself on all bandwidths. 
 
Musical instruments and recording gear are tools and as MacLuhan or Novalis seemed to say they are models and extensions of our own organs. 
 
Novalis suggested that new organs of gnosis and feeling were evolving. 
 
 All field recording is the creation of memories of places made sacred by memorialization, annotations of a transaction with the recognized infinite, temporary temples. Hildegard of Bingen had a garden too and I feel it must not have been far from Eden. It's modality was called Viriditas or the "greening power of G-d" Music, art, deity, earth, sky in no particular order or in every order in the palm trees, figs, olives, in the eyes of the wondering miraculous baby Buddha or the hooves of the ibex. Everything that is and including that which is not. As Lao Tze remarked, "the hole in the hub is what makes the wheel useful". The axle connects all the wheels.It is a thoughtful, mindful world and you are within it as discovery itself.