Thursday, February 20, 2025

Draft Diary of an Accidental Amanita Muscaria Trip, Forever to be Amended

   Listen to this EP while reading if you like

 https://jeffgburekprojects.bandcamp.com/album/aboriginal-imaginary-magic


      

    Dear Readers, if you are newly subscribed and are yet unaware: this blog contains research material into a wide range of topics including controversial issues of quantum mechanics, shamanism,  hermetic cultures, ethnobotany, magic, consciousness studies, mysticism, religion, poetry and art. As my motto set forth in 2007 still reads, "this a place for other information" which means, other: obscure, perhaps on the surface incomprehensible, irrational but deeply scientific in a gnostic sense: a search for the unfolding meaning of our existence. Use my blog as a springboard for your own quest/research.

To view my previous posts regarding Amanit Muscaria and entheogens. go to these links: 

  https://transparent-abelard.blogspot.com/2023/07/entheogenic-mycology-forums-where.html

https://transparent-abelard.blogspot.com/2023/07/amanita-muscaria-as-medium-of-gut-biome.html

 Onward... 

 Diary of an Accidental Amanita Trip

    It started out innocently enough. I had been microdosing dried amanita, from a batch gathered and cured last September, on the last few nights of mid February. The result of those last few nights being a mild drowsiness, euphoria, calm, without any ill side-effects or unusual intensities, I was in for a suprise the third night. This time, while reading some pdfs on first appearance of Gypsies in various historical records of Eastern Europe, I had a bowl of the crispy dried Amanita caps on the table and, by the light of the computer, I munched on them casually, almost as if they were potato chips, more tasty than potato chips, an acquired taste perhaps, certainly more nutritious, a natural high potency Vitamin D provider and after two years of sporadic micro dosage with extreme caution, I got used top the idea that decarboxylated Amanita was not trippable. not a hard-hitter in psychedelic terms. Insidiously however there appeared to be flickers of light, sparkles, flashes in my peripheral vision and the an unusual underlay of light in certain letters of the text, an ominous purple glow around the words "Pyzdry Land Books of 1449" and I started to feel suddenly cold and vaguely nauseous. Only then did I realize I had been rather careless in keeping tabs consciously of how many pieces of the mushroom batch I had ingested. In the rest-room, I nursed a false alarm call to regurgitation. I felt relaxed, however, if a bit queasy, and went back to reading, then typed out the lines of the poem that cryptically had almost nothing at all to do with what I had been reading at all, despite the title

   Cygano-matic Moonshine
 
Whatever glows on this wall-not-wall

Not wall but light reflected
Not wall but a portal
Cycling time through
Time itself illusory
Through seeking minds

(This wall refers to our bedroom. For in our bedroom there is a slanted skylight and evenings the naked white stucco wall becomes much like a cinematic screen and when the moon is full and she cycles by three times casting a white triangle onto the darkness, it's so bright you can read by it)

    I stopped writing the poem. Karolina came home. We watched Tillda Swinton's brilliant Berlinale acceptance speech. It was then that I knew full well I was really in the grips of a strong amanita experience, such as when I brewed a tea from caps last year and passed out on the couch blisfully. I thought it would be like before: I would fall asleep and have very amusing and illuminating dreams that I'd ponder and then release. I went, thusly misinformed, groggily to bed.

   I don't know how long I was asleep before I was awakened by a strong throbbing light pulsation, white light booming, on a tympani, in my chest cavity, a Native American powwow drum, thud after thud, seismic and I started to say to myself, wake up, wake up, wake up and eventually I heard myself speaking aloud, getting Karolina's attention. She asked what was going on. *

  I gave my wake up call to myself, my partner and the world, one more wake up yelp and then I said:
"I have to say something..". and then I was at a loss for speech a moment, just feeling the thunder shuddering inside -- and then I said: my heart -- but even as the words arrived, I was unsure if I was complaining of pain or just recognizing the superlative function of this organ and I was aware that something was happening that was not simply cardiac arrest, quite the opposite of arrest -- then I said out loud, "I'm not sure what to do now" -- and I rolled over feeling for a place of comfort, then flung myself back onto my back willingly and practiced qi-gong arm thrusts and went into clavicular breathing -- and with each breath I grew stronger and clearer of mind and eye and I stood up. I had very strong night vision and could read titles on the spines of books in the dark.

   And while I sprang up from the mattress and I shot with a shudder out into the sky like a bullet except this was no normal kind of projectile. Was this maybe a hyper-bullet or what I read recently Wilson Harris had called the quantum bullet --, no, it was no bullet at all. It was me shot out of the cannon mouth of a star core as a star particle and then it finally came to me what I had to say was this:
 "I am a star being born"  (corny as this sounds in terms of banal hollywood metaphorics).

   It was later clear to me that Amanita woke me up and said, hey, you are not going to sleep through this one buddy, we are going to show you what's going on.

   It was an astral projection and it moved in two planes or directions simultaneously. At one moment, I was following the trajectory of the recently emitted star particle that was me exiting the galaxy at light speed and I was out there as the spearhead, already beyond the stratosphere, but I was also standing there on the bed looking through the skylight and then after some time passing thousands of objects seemingly I felt my line of sight suddenly focus on a bright celestial object I was approaching, just a orbic glow but as I got closer I saw the outline of the orb more clearly and there was a smaller orb beside it and I was gasping by now, realizing it was the earth, our Earth. I was seeing the planet I was standing from "behind" my body standing there on the bed. And as I slightly turned, I felt the star particle was being drawn into the orbital range of the earth and I was being faced with the choice I had already made in the past --not to merely circle the planet and use it to whip me around at further velocity out into space -- but I would actually go into the earth's atmosphere and look for a place to be born.

     Even thinking about this now fills me with an indescribable emotion: ecstatic euphoria, fear of the unknown, fate, inevitability. As if I had not yet been born and didn't know what I was getting myself into while simultaneously there was a recognition of acceptance and fatedness. Memories of what was to come started to form that became restrospections

    And the when I was circling down the gyre, spiralling down, it suddenly hit me, wait, maybe, maybe there is some way I can hit things off at different angles as I pass through this time, I could choose some different variables, shift the flavor of events just slightly, not to mess with the fabric of absolute causality but to manifest intentions in new ways. I had to declare where I wanted to go. I knew in my mind I wanted to go to Romania or Moldavia but my own body would not allow this: it held my tongue, so to speak. But the B started to form -- I knew as in Buffalo -- but I also knew there could be several incarnations on the planet so I started to shift, so I managed to say where I wanted to go, which was easier to accept cosmologically-- so Bulgaria came out, then Bucharest , then Bali -- the first parents in Buffalo were born and I was carried through them and then and then...
             I was living through many of my life experiences and it was all moving very fast and I could not attend to each re-visitation and while I was also in the room trying to narrate what was happening to Karolina - and she being the person in the room, the one to whom my life path led me, the pace obviously sped up to our times together which I had begun to experience again --- from 16 years ago --

    I neglected to say that as I entered earth's atmosphere I began counting the cycles of years -- although it's not clear -- there were many kinds of periodic cycles, the solar, the lunar, the eon partner star to our star, the unfamiliar dark star (blackhole) that I was conscious of being able to choose as reference -- but I began counting my childish human terrestrial years and I was suddenly afraid that, in fact, I was counting out the years of my own life terminus and time seemed to speed up as I grew older and I could count mentally but could not articulate each round as it passed -- after 57 there was a blur and 60 and then, even as I feared I would soon fall over dead, I counted 63 and then managed to say 83, then 88 and the rhythm of the drum felt more steady, regular and eased through the 90's but then sped up gain and whirled at a pace I could not follow but for approximations with it winding up at 157 when I realized it, definitively: my bodily life on the planet was already long gone again and the shooting star particle began another trajectory outside the solar system -- and I have to take a pause here -- because we are nowhere near the end of this trip -- but how, how could I have future memory of travel?
 
   Perhaps because there was no need ever to return?

   The next phase was to follow through several long passages at exhilaratingly high speeds through empty stretches of space all the while being able to see when I myself as the shooting star particle grew faint and seemed to disappear almost, almost as I was now a dying star but no it was not true -- I was merely growing smaller in those phases to pass through some needle's eye and my thread would come through again -- it was then I knew that there is no death. There is forgetting perhaps of many things that appeared relevant to life on earth or any exoplanet but the particle's life was timeless and irreversible, created eternal and invincible and when I felt this certainty that there was no death and that this allowed one to feel light and unthreatened by anything and be happy perpetually,
I turned to Karolina and said, so, you already knew this, she said yes she knew that

  There was a marvelous effect of seeing the point of the star extended into the vast distance and the conic trail it had as it the bore grew thinner and thinner as the distance increased

  I was also able to rise to points in the sky and see the constellations from various angles yet I was always in some sense tethered to the here and now of my bodily groundedness.
(A day later I would recognize that this was the one element of the Amanita experience that the Siberian reindeer shamans reported and which led to the myth of flying reindeer and the proto-santa claus and the urgency of the wake up call reminded me of how quickly the fungus itself rises from the mycelium, how tall they become over even 24 hours as I observed while cultivating them over a few days. This rage for verticality, this spinal catastrophism. Heliotropism. Heliopathy. Sun salutes. Rupert Sheldrake's take "why can't the sun have a mind"  

   In my life, many things that I ventured to guess I knew were true through intuition turned out later to be proven true either by confirming testimony or by the gradual turns in rational science and there are a number of aspects of this experience that struck me as showing quantum entanglement and frame dragging of celestial mechanical systems via gravitation. Yet still I was not able to fathom any of this in terms of technicity. Where these mere hallucinations or fables and metaphors that Amanita was presenting to me? My own poetic fancy? I have to put aside this search for rationalization and follow the flow of imagery if I am ever going to present any useful material for the consideration of the readers here or even to estimate the value of my life experience itself. Even if it winds up being only a remix of my own preconceived ideas and formulae echoic of sci-fi gnosticism, it will be that imagination.

  That star particle trajectory still went on and it eventually appeared suggested that star energies manifest often in human life on the level of orgasmic tantric potency avatars and the idea of solar energy being linked to the Chinese energy of Chi and the Vedic prana -- shooting through sushuma -- shakti, suggestions were evident but there were no trappings of any typical religious imagery and I only bring up these terms now in my attempt to describe the experience. No faces in the sky, no echoed words of gurus or prophets or zootropic constellations. But stars and planets appeared as effortless families and eutopian super social beings in their own terms. They shared substances and physical relationships with one another. These relationships are no more nor less significant than interactions between human beings. Anyone who lives in any large city can feel there is both an energetic interaction and an energetic indifference. You can say planets care about as much for one another as three of four random people unknown to one another in any street. They pass like hollow ships in the night and asteroids pass by gas giants in the humorless hollow void universe of cold and unconscious dumb concretion. But is that too not anthropomorphic projection, that it is humorless? And what about the volatiile reactions and chemistry of stars and Gaia? Are they not allowed to keep their secrets? Have they not done so for aeons and will they not for aeons to come? We too often only "learn" from or about nature in order to exploit and extract and this has led to the climate crisis we now know will alter the future generations irreversibly. It's about time we discovered a new way to think and frame relationality.

  It occured to me that since the female has encoded by genome a specific amount of ovum for her life that indeed there could be a more copious but nevertheless limited and countable quantity of spermatazoans. If we can measure life potential my ova and sperm count then why not by how may crushes you ever had or why not by something equally physically viable like the orgasm? Provided the orgasm will continue to have any importance in the life of animals. One could then measure a life in orgasms and there was no way to better explain this fact tantrically but to compare the apparent life/death duality as the particle's appearance/disappearance and re-appearance and re-disappearance as momentary blackouts where time no longer counts nor is counted within the la petite mort.
 
    Thus I started to see in the cosmos before me various swirls of particle trajectories drawn inexorably toward one another. An indifferent but no less physical paroxysmal cosmic orgy. Some entities would entangle, enlace, collide, smear and/or emerge through one another multiplied and scattering seedling spore radioactive pollen. Others would ride on some asymptotic career towards some converging point and they would travel so long ever so infinitesimally nearer one another that time became nothing to speak of and even their own sense of identity of being different particles was either forgotten or simply erased, lost effortlessly. Eternal lovers would learn the proper way to live as one together.

   Here begins the contemplation of the fates of astrally projected or star particle lovers and how -- I have to stop and figure how to express this in language --

    In the morning, afte this seven hours ordeal, surviving this accidental "heroic dose" as the psychonauts call it, I went back to the Cygano-matic poem

Finding following scattering
self-thrown inter-mingled
photonic bounce of time arrows
kajillion tiny billiard balls
Glowing star-points soaring off
At speeds of the light creators
Faster than light itself
???

Signifying difficulty

Truly sets in

Warp's continuity
Weft's extension
Woof into howl

You sing it but it's not a song
It's too long a tone
To carry on
One tongue, alone
Hollow from the throat
Opening moisture
Condensation
Breathing out
Exhalation
Shuuussshuumaa
Shooting star particle
Not meteoric
Not falling to earth daedal dull
Shooting star particle
An endless trajectory
No matter how many turns
Around any and all objects
Objects so called
Condensed matter forms
No matter how many twists
This star can make itself tiny enough
To pass through the tiniest opening
Shooting star particle
Can cycle through earth
Or any exoplanet
Any planets with the fuel they need
Which is gathered in approaching
Any hydrous bearing mass
Shooting star particle
Sweeps around or through
Any and all and carries on the journey
Journey so-called without destination
And the only stopover
Is when it passes through a soul
At birth forming a memory **
Of its passage so-called
Through the bodies of the living
As they channel orgasmic light
As chi through bodily cycles
Of erotic intelligence seeking
And finding experience of itself
As plasmic tissues
Such as our human animal bodies
And plant bodies are
As structures of a temporary
Temporality or curvature in space+time
That is not even measurable
By the highest mathematical calculations
(There would have to be a computer larger than the entire cosmos
created as a computer within an even larger cosmos
to calculate only the events happening within
in this one we imagine to be calculable)
Shooting star particle
Encounters objects similarly self exploring the borders of being
Denuded of all illusory identity
And transformed by the flow
Seduced or inducted into the endless trajectory
skimmed, struck or inspired
by each and every own particle with participating
within and generating
The experience of pure ecstatic joy
That is in all actuality without end
It is deathless and stateless
Shooting star particle surpasses all life
Yet participates within individual body formation and naturally
Guides you to experience deathless ecstasy assurance if and when
You agree to the process of being boundless

There is another plasmic formation
Shooting star particle experiences
It is the plasmoid surrounding contrary flow
That encounter when momentum
Decreases -- normally when approaching very dense cosmological objects
The slight but noticeable reduction of acceleration of the enhanced curvature
Which Science calls gravitation
This indicates a contrary flow of energy we might call dark energy so-called
because it has its own flow
It's principle is not different but contrary
Very Heraclitean in fact, these two paths, non-dualistic
Shooting star particle is flying through and by
and it's even something like behind the dark energy
which may be moving at some kind of super fast acceleration
that is so fast that it paradoxically seems to be moving slower
In any case it can create a sense of drag or pull on the overwhelmingly positive
light energy manifested in shooting star particle
Which seems so positively positive
that to the entropic life of attention deficit
capitalist earth seems only madness

   This message sponsored by amanita muscari
 
----

   Other reflections on the coldness of space after having been there via astral projection.
These are not so reassuring.

     We are all entities without actual history. If humanity has made it into the Akashic records, it's ony via the conduits of those considered crackpots. Our species insistance ofn it's own hegemony of ontology, this arrogance, excludes us from wider consideration by alien creatures. The narrative of inclusion and exclusion in any cultural register or hierarchy are unknown to planets and stars seemingly and we as a species make no impact directly on things other than by an incidental brute physical force that is ultimately impotent. We vainly engage in politics, as if any democracies are actually functional.The damage human beings have done to the planet is only damage on its own terms and within the effect it has on anthropocentric habitability schemata. We can read the book of nature. We can read the archaeological or geological record. By doing so we are giving ourselves a pat on the back saying look how conscientious we are. How can there be a pretense towards science on this planet when any number of genocidal projects are being carried out funded and supplied by international arms trade for profit of billionaires? Shackled to money the world drags itself to the bottom of a dead ocean, its head full of stones. As much as I love astronomy and follow space exploration, I am nevertheless unable to fathom the indifference of the corporatism and militarism implicit in the progress of these disciplines and rue the day it evolved to be that science had to work for capital interests and abusive governmental powers.

We were better off with anarchic alchemists and shamanic sky-gazers perhaps

Notes and some bibliography
 
 * Days later Karolina told me that before I started saying "wake up, wake up" that I had uttered in my sleep, "I am asleep and I don't know why"
 
** Do a google search for "water has a memory"  
 
 
 
Reading on the Roma presence in Poland refered to in paragraph 1
https://www.google.de/books/edition/ROMA_GYPSY_PRESENCE_IN_THE_POLISH_LITHUA/Mir2DAAAQBAJ?hl=en&gbpv=1&pg=PA1&printsec=frontcover

 


 

 

 

 




   

Friday, February 14, 2025

3 New Poems, "The Unthinkable", "Pagan Light, "never Again never Again"

 

  The Unthinkable

       for Charles Whittaker

 Created on the spot
the agent
in withdrawal
makes no past
logically
emerge
even the face,
hers, yours,
the cat named Ted
or Chicken
Little, donuts,
go ahead, pick your
poison, yet
carefully -- for
the mega-blur
cavitates.
Blessure, eventually,
cysts, like
it or not, one's
fragments
gather lichen
liken it
or not

I didn't mean
 to get all Creeley
about it
but thought
engages
a fist, always this
"grappling"
with causes
so vastly pre-
distributed.

But there you
have it & here
we are, I, or
some other
wreck of the Osiris,
Edmund Fitzgerald, 
or Fitzcarraldo,
who gather
reeds to weave
the barque
lest the dog's
byte rate
quicken

Only to be scattered
scat-sung, war-
bled

Blended
with the barfly
wind of
 the unknown
gold

Dig

Ipseity
casts doubt
about origins
but silence
breathes. Being
unable to
"sign off"
nor leave
"dead air,"
I hum, some-
thing un-
thinkable.

There came to be
too many Cassandras,
Medeas, advancing 
Clytemnestra's
excuse agenda

Wanting thrones
no sapiens
man owns
by law

Every animal
in the dark
ark or arc of
another chirality
omniverse, makes verse
despite the
truthless
innuendo
knowing some-
how any house
made of material,
divided, will fall, I
gather, to pieces,
literally

 

 Pagan Light

Many years ago
in the free open Basilica
Santa Croce in Firenze, Toscan-Italia
I knelt for an hour in prayer
before an icon or altar
which may in fact still be there
When a convent fratello
came to suggest I leave
I said, Padre, preferisco d'essere
not knowing I owed him
my life for going away

A look of surprise, a bit of fear
In his eyes, as he withdrew
And yet what I was thinking of
In that moment, I cannot say

And I, of what I knew,
myself a pagan,
yet head bowed
before the mixed up man
--with his mother --
hung upon the tree
reading the world foundation
in sacrificial alms --
my dreads, beggar's jeans,
my Gitane-stained palms & pick-
pocket book of poems
open to the one Francesco penned
in the grotto, the ghetto of stigmata
skies yielding to skies,
  in the orphan shells of everything
as through the aperture of the Blue Mosque
some years later
  I saw the subtle signature
light never lost from God
 
 
 never Again never Again
 
never again begins
now when so many of yesterday's friends
can no longer gather themselves
nor even be found
never again begins now
when minds lost
forever under rubble
souls scattered into elsewhere
murmur only
in mourners memories
staggered syllables

never never happened
so again as this time

never did never
again so happen
against all logic
and reason

never has never again
been so denuded
yet again

when again the means of dispensing
some other unwanted other
differs in technology alone
& the dehumanized end
changes in name, place
& yet again it happens
what they said would never
& somebody agained it
some robotniks
rebooted the ever
of again
 once more

never again & not in my name
may it never happen

or... did we mean never again
to be put in the same position
while never again
again however
becomes first in line
as death presenter, shooter
drone gun gamer
smooth operator

make it not happen, again
make it never happen
(may you have no means
in your heart to do so)
not even collateral so-called
the damage the targets
being the whole of the populace
sent running here and there
while they search for the mysterious
cause of it all & wonder
why do they hate us
why do they resist
losing everything
hugging olive trees
branches on fire

never again & not in my name
& since there is no way to be clever
no smarter, more direct way to say
please stop the killing, stop the killing
please stop the killing, it's murder
& it can only be repeated
again and again
 

Friday, February 7, 2025

Enter February. New Bandcamp Albums and Updates and a Wedding photo of my maternal grandparents. Already "on the road" mentally.


First some graffiti from Gaza to celebrate the ceasfire in hopes of a prolonged peace and autonomous Palestinian rebuiding and recovery which will be an endeavor requiring immense effort.

Now some nostalgic throwback photo to the old new world or the new world depending  on you point of view, mine being that the "new world" (meaning the Americas) has never been a new world except from the pov of European colonizers; while another aspect is that, even if I was born in the "new world" (USA) it nevertheless seems increasingly like an old world since I have been living in Europe since 2005. This old world called Europe still seems like an old world even if when I arrived it seemed new in many ways. It's newness has levelled out into it's dailiness. Here's a picture of my maternal grandparents, looking very much of the old world in the new world now long ago.

      In recent conversation with my cousin, he mentioned that he inherited this wedding photo of  Felix Pesta and Stefania Pesta (nee Radomska) which I remember hung on the wall of their Ashley Street home in Buffalo, New York. Thanks to Bob Barzycki, I have a copy now.

    Other news. Poems are getting written. Gaza City Blues, the working title, contains 135 solid poems and I'm searching for the poems that I wrote before I decided there would be such a book.

I am on bluesky a while now, if you want to meet there.  @jeffgbk.bsky.social

    Romania/Moldova Alert! 

 Eu și Karolina studiem limba română și ne planificăm deja următoarea călătorie de vară. De data aceasta până în Moldova, pe coasta Mării Negre.

I and Karolina are studying Romanian and planning our next summer trip already. This time all the way to Moldova, the down the Black Sea coast.

New albums and updates to earlier albums.

    While many people seem to think it's Bandcamp Friday, it appears Bandcamp admins themselves seem to belong to another page, asking for Wildfire relief. Fair enough. We nevertheless made sure to have a few new titles out by this weekend for listeners. I'm also updating the album "A MOON WILL RISE FROM MY DARKNESS" with two fesh tracks and re-underlining again that all sales of that album alone are being redirected to humanitarian aid relief in Gaza. In other news, I've been exploring the new modular synth set-up with great excitement as a new dimension seems to have opened before me and there are already a few albums on the way. Also, TRUTH will come soon.

    Wrapping up, I still have free download codes for "Future Antiquities" so, ask and ye shall recieve. And if anyone will make a special payment of 30 euros or usd or more for any Bandcamp album, I will send you a few other download codes, one being for "Bulgaria Sound Specific" one of my favorite field recording comps. Links below. Have a great weekend! 

jeffgburekprojects.bandcamp.com/album/baltic-ozones

 


 jeffgburekprojects.bandcamp.com/album/tajallih-the-many-the-true-approaches

 


 jeffgburekprojects.bandcamp.com/album/future-antiquities


 jeffgburekprojects.bandcamp.com/album/a-moon-will-rise-from-my-darkness-suite-for-gaza

 


Thursday, January 16, 2025

The Many & True Approaches, Baltic Ozones 1 & 2 and notes about process and a new poem or two on the eve of a Ceasefire

          "I felt that I had been broken /like a diamond and that nothing of light remained of me" 

                       -- Mahmoud Darwish 

 

 

  https://soundcloud.com/jeff-gburek/the-many-true-approaches

 originally I had the title as "all manner of potential approaches" -- perhaps for the album title -- then something shifted -- out of the unseen there came a suggestion of an alternative --

   Created in the field on January 14th using bespoke VLF radio receivers, Tecsun multiband radio, Baofeng transciever & Hack RF 4M keyed with Cubic SDR software which adds a special range of articulation in bandwidth. Sources are radio carrier waves, so there's instability, unpredictability into the mix, keeps the improvisation on the go. The ensemble en suite. Hopefully you are listening already.

After coming back from the work in the field at Lake Rusalka, the poem emerged and I had a sudden flash of wonder whether or not it could be the first poem ever to reference field recordings or the kind of devices I use while getting out into bringing the plasmosphere into ear-shot... here it goes...

Space weather recording
More pingy than swoop
Snow crunch in headphones
Better mind my step
Through my ears
Cupped in these containers
Muffling the nor'wester
As the falsely positive snow
Starts to tinkle as rain
On partially iced lake
Ionosphere ticks
Variable molecular clocks
In the overall ageless sky
Still lustrous grey hinged
Layers overlapping into horizon
Red branched bush
I forgot to Google lens
Also forgot y-splitter cable
So onto VLF coms reciever
One unusual squiggly beacon
Squiggly signal striate like bacon
Funny how language works
Out accidental parallels
Or simply occult coherencies
Remain objectively insignificant
And could this wind up a poem
I wonder why there are no limits
Yet, aye, the plasmosphere
Begs to differ gasseously
Exigous in patches
This caul and veil of interlacing
atoms sharing electrons like
Soldiers do cigarettes in trenches
In the old movies anyway
This crocheted vaporous array
Shielding life from cindering sun
And galactic ultra wind
A frail protective veil in effect
Reminds me my own fingers
Are beginning to numb
Holding onto these dear
Devices of sound induction
Nakedly withdrawn
Back into gloves
Packing up quickly
Trudging over frozen mud
Back to bus stop
And boom, dynamite perhaps
Road works, blast in earth
Disturbance and chainsaws
Of kurwa cursing loggers
I wish they'd assume their role
As sacred functionaries, nurses,
As executioners of the woods
And hack more solemnly
 
 
Attempting to do inner environmentalism, I guess. 
Environ-mental-ism. 
 Onward to the Baltic coast, near Koszalin -- a village area called Łazy, to be more precise, where I was able to record some relatively complex configurations of microphones on the shores on a sunny but not overly blustery day. As always, when on location, I do some radio captures, so this first compostion brings the seas and the ether waves into some equilibrium-seeking drama... Some location photos to follow and intercalate with the other track links
 
 
 

 

 
 
Quick note from my Facebook post:
 Field recordings of the Baltic coast, radio from Marine UHF, Shortwave (all recorded coastally on Dec 24/25, 2024) and synthesizer added early today during the live mix. This edition in memory of Miguel A. Garcia, who's recent passing haunts my listening at this time.
 
 

 
 
 
It finished itself quickly today. Enjoy Baltic Ozones part 2 aka Ripples
 
 
 
 
 "Shall I believe in ripples as well as the sea? --that is, the ripplehood of ripples?  Let me explain why life is but a ripple or ripples of one
unrippled and unrippleable essence"  -- Jack Kerouac


On New Year's Eve fulcrum swing I and Karolina recorded our first ever electro-noise tracks and some minimal techno miniatures that will go up as an album somewhere soon. I'll keep you posted. I will leave you, whoever has gotten this far, with Tajallih, a work I realized for no-input EQ pedal and synthesizer as a kind of sallah looking toward the ceasefire horizon in Gaza. The acrylic painting came just before by a day.  https://soundcloud.com/jeff-gburek/tajalli

 


 



 

 

Monday, January 6, 2025

Heliopathy by Jeff Gburek available for pre-order via Post-Orientalism label (Teheran/Berlin), Album Notes, Further musings----on the process of foraging in the ether or the plasmosphere and beyond while grounded into the earth ---

 

    

     https://postorientalism.bandcamp.com/album/heliopathy

 

 Album Notes

Heliopathy — the feeling of — or for — helios, our local star: a yellow dwarf, although it's funny to call this ball of super fire — so huge — a dwarf, & this is where relativity comes in, I suppose. Heliopathy is not to be confused with heliotherapy but there is no reason not to find within these sounds some form of vibration that can tune or calm the spirit or nerves.

All the sounds you hear in this project derive from radio waves that were recorded October 7 to 18, 2024 during a period of increased Coronal Mass Ejections, during what astrophysicists are now calling an early solar maximum peak, a time when the sun pours out the most radiation in its 11-year cycle.

These sonoscapes are generated using Audiomulch and Max-MSP and rely on a set of field recordings of VLF (very low frequency) radios, shortwave HF receivers, ground wires (ELF) and various antennae and sine wave generators in harmonic phase with Schumann resonance.

Characteristic of my approach to VLF recording is that I carry the device in my hands and walk barefoot on the earth as I record, which results in a different dynamic than isolating the device. I consider that I am part of the field and my "body electric" is a vessel/conduit for transmitting these signals onto digital memory banks.

Some of what you hear are called sferics and the internet can provide you with bales of information on what they are, but basically they are particles bouncing off of one another in the ionosphere as it "breathes" and the geomagnetic impulse flow through the earth's polar axis affected by photon and proton overloads during a CME (coronal mass ejection).

I was guided towards my title by a friend who had been reading Henry Corbin's essay "Creative Imagination in the Sufism of Ibn Arabi."

He found that the heliotropic flower in Ibn Arabi's telling, finds a heliopathy and reciprocity in its turning. In that the flower finds its sustenance in the sun, the sun too has an experience of its being through the flower. This being mystical Sufi thought entails the action of mediating messengers in a kind of circular gnosis. In my work as listener and composer I am mediating my experience of the flower of the Gaian entity (Earth) as it unfolds in the many petals of the geomagnetic plasmosphere via the auditory prostheses that allow my mind to surf other dimensions.

Jeff Gburek
December, 2024
Poznan, Poland
 

releases February 14, 2025

 
 Further musings 
----on the process of foraging in the ether or the plasmosphere and beyond
while grounded into the earth ---
 
When I go out and work with the devices it's like I can encounter or create a more commprehensive nature connection beyond confines of skin and society -- like field recording but with an extended field that sort of becomes molecular and the subatomic, subliminal, evasive, seductive but already laid -- guided by gravitational waves, pulsars -- wide swaths of universal beathing
I go very easily into ego collapse and it's very strange to do the work in an environement where I must be suddenly be socially engaged and going back into rational language paradigms -- Because it's hard to explain the audiosphere, because, well, it's frighetning on a existential plane: we sense a time frame for phenomenon which carries on without the anthropocene context. And people don't like to hear that the life they've invested so much money in is actually already over. It's unsettling, perhaps.
While in the ego collapse of listening there is a contrary feeling: that nothing dies but is transformed, continues, goes onward into scattered vibrational tempi and, in a sense always, vascilles between being and not being. Life is somewhere in that indeterminate chemical shift between connection (binding) and disconnection (being unbound). In Arabic -- in what I've gathered from reading Ibn Arabi these months: it's the difference bewteen taznih and tasbih, which is the difference between rational cum logical assesment and the apparition or imagination. Full sense only occurs when they are both experienced. In the Sufism of Ibn Arabi -- they are both illusions but the imaginative illusion (tasbih) is the more complete because it involves creative engagement and faith through being present through one's self as witness. And creative action based upon synthesis. The role of art thus becomes more emphatic since these ongoing syntheses of the ways of experience take on a form, one after another. Each form represents the fullness and emptiness. The left and the right. Yin and yang. One can experience this without art but only artlessly. In art, it leaves one back at the beginning. It's an improvisation.
I got another radio device today-- and as usual, it's totally not doing what I expected it to do. But it's interesting to learn what it can do...to both evolve one's knowledge of the builder's intentions and to also create new applications without a template

Saturday, October 26, 2024

Witch-Hazel, the album, is out now. Karolina Ossowska: violin; Jeff Gburek: percussion, prepared guitars, shortwave radios, firewood, ash, shovel


 https://jeffgburekprojects.bandcamp.com/album/witch-hazel

 

In the better late than never category. And and just in time for the soulful holiday season of Halloween, All Soul's Day, Dia de los Muertos, transmigration of the butterflies. All treats and all tricks coyote. Two spooky organic tracks recorded late October and early November, 2023 at Dom Sztuk Kęszyca, mixed and mastered by Akashic Jeff & Akashic Records Studio in Lazarus, Poznan.

Karolina Ossowska: violin; 
Jeff Gburek: percussion, prepared guitars, shortwave radios, firewood, ash, shovel.
released October 26, 2024

 

Saturday, September 28, 2024

Sept(ember) Sorties 2024: out on Akashic Records. Plus some notes on new methods.



None-sense Opera is what I will call it. It's not noise, not merely musical soundcapery nor just anything rushing in to fill the 4/33 gap. My selections are operant, intuitive but their sense often only dawns on me later in the twilight when I become another kind of listener.  Mindful mindlessness comes to mind. Some mistakes and glitches remain to speak for the unknown necessities of being.

All these pieces were performed from Sept 9 thru 15 upon various instruments with the shifting ground of the sound stem composed of field recordings tapped this July and August (including hydrophones and VLF radio) in Czech Republic, Hungary & Romania. 
Check the album titles for instrumental details.

Schizophony, geophony, biophony, phonography in a laminal swirl, geothermal, lomographical, dragging geomagnetics VLF and radio pulses into the mess that organizes (composes) itself. I cannot perform anywhere but only draw the global signage of distances together (in this virtual here and now where you, the creative listener, exist also) to symbolize the taxis of a future interplanetary 
signalling cascade. If these words could mean what I'm trying to do with my work I would not need to execute this compression of files. So please take some time to give it all a listen.