"I am pulled as rivers are
towards the end of something
something expanding like an Asia"
-- Hölderlin
--- itinerant inneries -- and "infinitesimal" -- so it happens anywhere (in any room at any time),
always happening everywhere, you can't even keep up with that speeffle, it's the fastness of what's still faster than light blowing muons through us from whatever multiple big bangs might still be out there ready to happen haploid -- you, in the middle of some nowhere thousands of digitally scattered star-points in space in a debate with your cat about whose eyes are more diamond
wake up in the deaerths of our bowls
from meridian to meridian strung out clotheslines
of the gypsy camp on the outskirts in the minus 6 centrigrade
starched as in frozen -- a line of reverential poetry --
a
prose fractal on the recursion regarding space-time not having any
gallilean
(used to be "archimedean") point but to gather information as
pursuant to all point potential in any possible universes expanding
neuroplasticity
*
Fate-full Hour (Solstice, 2022)
"It is always difficult to come out from wherever we are
into this space that we share with one another."
-- Cecilia Vicuña
or hanging a chandelier, I suppose.
Then there's always the thought: does she want me
to kiss her or does she just want me to want to
and does she really mind my being here
or really not being here at all.
Is being inside being at home?
When do we get home?
With #Olson you are always creating whole
worlds and societies in which you wind up cutting
your own hole in the ice. Or cutting out whole figures
in paper to paste into a book of collage works
where each page is continental drift itself.
Language as evagination.
What about being heard? While in the forest,
it's enough to listen. Tinny voice of somebody
on cell phone messaging service.
That sliver of voice in the distance, broken
Each of us in our own emergency.
Or let it be said now: the game is over.
Won or lost. The ball as it bounces,
into some other court entirely.
Why (utter) even these indulgences
but for some pain lingering
to be gently sent down stream.
If one can get to the edge,
close enough, that paper boat...
Then there are the cleaning people. At night
when you are out of the office. Removing the detritus,
the stuff we scratch off ourselves, the scraps
of our habitus, collected towards another heave.
Leaving us in our ghostly calm.
Or as in your poem, where happiness happens,
with the imperative need to undress.
If there were any bottom to this.
I triumph not over my incoherence. Or perhaps there is more
to incoherence than what I gather up, absorb...
Why don't I just let myself be? And among.
Looking at the hour, the round of the clock,
what is coming around the side of that fixture in our lives.
Have we darkness enough? Have we passed through
to the other side? We mount
the stairs again. We ascend.
Crossing the threshold, we turn to
look at one another. The skylight window
is open, fresh with rushing noise.
Simple as that.
(21+/-22)/12/2022
-- who can describe the calculus of time?
*
Dec. 24, 2022
"...the double-drum of dual insight,
is where the energy of time finds us..."
-- Stephen Ellis
what branches were there supposed to be in the forrest
other than those that found you there
the wings within your feet
as they fan the corridors
damp with petrichor, musk
that plenty which seems before value
scattered and nearly unknown
and then, skipping ahead, across gravel,
seated on the lichened stump...
when
i try to scribble ideas from dream-dark webs of glimpsed authenticity, I
grope about working in multiple dimensions... text is really slow but
even sound is slower than light, lighght gathers more slowly in sound
files on-line -- light must be really slow on some other scale -- so
what's the other ultravibrational frequency -- what medium can carry
this dimensional amalgam? it's not language or maths -- what bees
honey the dome to make it all happen? it's beneath out feet and higher than any sky -- opening to newborn on high as below --
*
Jan 2, 2023
sky above sky
in the cloud down layers
where the undead drift
letting it go, just like that
memory knot of stars
by the dreaming for everything
high necked spruce branches
in the canopy clatter and giggle almost
mallards or maybe geese hoot
cutting cuneiform v and w
in tablet of nearly blue now
sun gone into other Sundays
around the globe in the future
mirrored Monday imagines the poem
and those late bloomer gunpowder blasts
enter like ghosts on the scene
unpredictable as memory itself
bygones becoming presages
events offering to unfold
enough to finish without
an unseasonably warm woodsy walk
*
Jan 3, 2023, later
the owing gets owned
when passing the buck
because there is no reality
superior to existence
each king rules on one throne, alone
& only pawns can become queens (?)
if they cross the border
staying in the same iffy game
patiently arriving where we need to be
while mushroom caps push up
through the remnants of the universal veil
seemingly from anywhere in their
invisibly growing fuzzy filamental network
gridly in it's own warped ways
unforeseen, unannounced
harbinger of the future quantum field.
Is there any being right in being wrong? I wonder.
Correct me if I'm right
*
Jan 3, 2023
UNKNOWN FISHES IMMORTAL HYPHAE
looking under looking into looking over
*
Jan4/5, 2023
butterfly effect is written on air.
mycelial and beetle sigils inscribed
chemically willy-nilly on the cambium level
subcutaneous, as for trees
whereas painting applies to surfaces
systems gouge in clay or scratch on stone
later on skins in pigments, papyrus, scalps of wood
all across the eurasian transversal anyway
while in china there were scrolls
hmm... dried fabrics, dry wood... paper...
writing was born of black blood, purple, aluminum
molten lead, gold, whatever from the alembic spills
volcanically to the gravitational constant
slow life slower than slow life
gyring or conspiring to gyre
down as up
by the time there was a walter benjamin there was the ink from which she was born
*
Jan 6/7, 2023
after many aeons unspoken abiding still
fettered to cacophony of identity
access to whatever splattered excess of trance
to die of beckett or benjamin's cast
for any writer who will not meander
coldly tethered to everyday reveries
within which the catches of the salmon revive
occasionally pawing them bearly upstream
spawning demeter's vaster daughters
pushing them in prom or pram
wedding them to walnuts and thyme
ever so forlorn in the keatsian clover agrovelin
abt some syllabary of the codex actuelle
to discover old knots of quippo
hanging from heaven up under amazon's armpits
throughout the canopy of mind
& be still the sap from the knotty pine
accelerando ed agglutinando
sowing circadian seeds, fragments
spores of the universal veil
*
Jan 8, 2023
Existence being daily
while nightly alone for some
poetry dateless awake into the sleep
on either side, draws death up
like a blanket that folk wisdom
with the brittle margin of seas clinging
and the pull of the tide
Cannot escape momentum
The entropic engine
Our life pushes up the invisible
Mountain born of the slide
*
It
either speaks to deity or nature about the shared nature (occult
science of common sense) or it speaks to the shared creators of a
language in process of creating itself but it never speaks while not
trying to seduce one to believe in things inexplicable that support
everything you want to call reality but cannot grasp in one take. It
never speaks of one being alone. It creates a sense of wholeness or a
sense of gentle fragmentation that upholds the various nets of existence.
Speaking about it without becoming it never happens in anyway that
makes you feel outside of the truth it unites you with or reminds you
about never having left. In school they taught us merely the alphabet
and solfeggio. We learn the rest by ourselves for ourselves. It is a
gift.
*
just shy of physical value
the particle cloud
a portal
a castle
no singular path
for the thinker
to enter
and the dancer
still has to
dance around
until viewers
become the cloud
just shy
of physical value
*
poem in the form of a comment
how many listeners do you need until you get one real listener. same for the readers. if it amounts to how many previews you make before publishing, you are still only thinking algorithmically about rates of reflection and refraction that may have nothing at all to do with what is actually miraculous about all creation. even if it's all random (life, cosmos, existence) you got sucked inside. who can account for this to some degree merits consideration. wandering jewel of stars
*
I
want to be a poem. What do I have to do?
Seek to be written by a poet.
Just pretend you are a poem and go to a poetry reading.
Mingle and stand
apart. Dress like a flower. Play dead. Be very rational around drunken
people.
Wash in the blood of the lamb. Take the meds. Jump into a taxi and say I am a poem, just take me anywhere. Absorb everything. Express
everything. Ask all the right questions at the wrong time.
Be
incorrigible, truthful, sincere. But first of all, tend to be misunderstood.
With a smile. Poker-faced. Sad and non-chalante about it all.
As if you didn' really want to really be a poem.
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