all sounds being singular and unrepeatable, every sound must in fact be improvised. improvised, in this sense, must mean that there is something in the event of sound that is unforeseen. a sound in which the unforeseen happens. the improvised is the imprevised, the imprevisible. even the sounds in a composed sequence will, if slowed down or sped up, either in actual execution or through manipulation of a recording, will reveal the instabilities and stabilities that return to each sound this crisis of the border.
the improvised has a profile in the unforeseable and therefore the invisible of a therefrom or unto
that which we call the silence
that which i call the stone
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