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transparent abelard

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Sunday, November 6, 2011

Codex Seraphinianus




http://www.archive.org/details/Codex-Seraphinianus
Posted by transparent abelard at 12:07 AM

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the prophet, 1992, detail 4, jeff gburek

the prophet, 1992, detail 4, jeff gburek
pastel on paper

orphan sounds

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djalma primordial science

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Blog Archive

  • ▼  2011 (25)
    • ▼  November (25)
      • "the watermark" continues...
      • Codex Seraphinianus
      • split album with elizabeth Veldon on black circle ...
      • On La Monte Young's Second Dream of the High-Tensi...
      • "i'm graphic like that"-- score and binary
      • 'Tender in the night and the washing machine alone...
      • leap emptiness (boundary), the perfect is, form se...
      • the girl on the bike i have always dreamed of bein...
      • scraps of paper typed up in no particular order un...
      • The Tale of Fake Lake and the Man-made Clouds
      • perfecting, withstanding, inoperative, grace
      • formless formulation
      • when as yet no poem had any title as such
      • Insomnia! An automatic essay
      • Virtuous Circles CD notes (Absurd Records)
      • astra disastra digitalis
      • the jar beneath the star artaud foresaw/as having ...
      • excerpt from an italian tour journal 2006
      • A Dinner Dyadic
      • silent other, sideless mirror (2008)
      • dreaming machines for karolina maria konstancja os...
      • after glancing back over pasolini
      • apparition between memory and forgetting
  • ►  2008 (3)
    • ►  March (3)
      • THESES IN NOISE II
      • THESES IN NOISE
      • NOT ABOUT IMPROVISATION
  • ►  2007 (3)
    • ►  June (2)
      • ANAGYWNAS: THE IMPENETRABLE SILENCE OF STONE
      • Apropos Yannick Dauby's Hybridism
    • ►  January (1)
      • Muslimgauze Revisited

About Me

transparent abelard
Poznan, Poland
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Eurydyke

Eurydyke
pencil on paper

the unknown head 3

the unknown head 3

the unknown head 2

the unknown head 2

portrait of artaud

portrait of artaud
pen,white-out, sand, glue on cardboard