perfect, yes, but so what. so what? so what you say. after perfection so  what you say. it comes down or up to this, for this, and me, for me,  such an eye in this web of eyes, before the face, what and so come also  quickly or prolonged. not anxiously, neccessarily but hinged with buts.  okay, there is a perfect form, already, let's say. it's there. let's  call it a landscape, what we can say, what i can say i love. she fills  the horizon, is the horizon, and all that exists between this and that. i  look at her and all is well, brilliant, perfect optimism. anything is  possible. because there is this one being, this, that, her or me, the me  silent and happy with that silence. she is perfect, lovely, form. why  she? oh, because. because there is no psychology to explain it. because  as so what? no, not yet. let's say i am like a gas and when i look at  her i am contained in what i see. let's say i am fluid and when i look  at her...you get the picture. the full smile of the room, the window  open. combing hair, just in ear-shot, i can murmur, she can hear. birds  whirl in the sky whirls the clouds and there are children, down there,  courtyards across, screeching merrily, a radio, blast it, off. yes i  love her, all is perfect. just dont think. but. when she goes away.  what? also perfect. at least for a while. prolong it by discipline,  meditation, then...eventually, then, no. don't break concentration.  then, yes, you know, it happens. the question of form. my own. what or  how it is. so-called personal history, itineraries autocircumscribed and  perhaps vectors of will. i cannot graph them. there is a precedent,  maybe even a "carreer"---the old meaning, as path. the form that it be  unbroken. not a lie neccessarily, although a lie can come in, stand in,  surrogate or sublimate the feeling of form, the "onward" etc. always  against, working against, it seems, the other feeling of being not yet  finished, unformed, formless, broken. there comes then yes almost a  feeling of being broken or flawed. i emerge from being happy, contented,  content, filled to being folded, failed, flawed, formless again. what?  rather let me ask why. there cannot be two of me without an amputation  of sorts, one i have not achieved. this is where the limitless atrocity  of imagination stands in, surrogates, sublimates, cuns and connives. it  is too easy to call it a lie because the lie was "truth once upon a  time" even prospectively, in the future i mean because, well, time,  dilating, contracting, blooming or withering on all sides of...what?  doesn't matter yet...time is only of the essence in this perpetual  prolificacy, this enduring flux in which even time is timed out  occasionally or which my heart clocks not. try by breathing to correct  it and that methodology can work, for a while. being connected to one's  forms in the formlessness, faced with one's former faces and no i dont  mind and even maybe love those faces that attach to my face, my or their  half-faces, making the beast with two backs, two backs of the heads  rather. an idea wherein one is what one wants to do and does and in  doing so becomes the form of that. and also, this ends in so what. and  you keep doing it until there comes a time you cannot. one says it  doesnt even matter what it is one does and that even beyond politics is  anyway going to get you in trouble eventually. formalism vs the atrocity  of imagination. this also doesnt wash. the so-called society doesnt  appear multi-disciplinary enough. one can't accept such limits. the fact  i am writing music now is not recognized by musicians or those who  listen to something they call music maybe. or it wont matter, suddenly  (strangely enough), to the reader, to know this is music and not an  attempt to warp the boards for noah's ark. enough. it is entriely  personal and i say so what because i must say that this entirely  personal declaration is also not wholly what it says it is. and from  that point, i will go on. i must. because maybe i am wrong and in saying  i am wrong maybe i am not. no, no. wrong again. tear it up.
July 29, 2009..............
Saturday, November 5, 2011
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